So, I know that I haven’t been updating this a lot recently, and I apologize for that. But I do have some hopefully exciting news: over the past couple of weeks, I’ve been going to different publishing websites and sending them requests to take a look at Lucifer & Lilith! And while I won’t hear back from them until most likely the new year, I’m excited to see what responses I get to that story. So cross your fingers, wish me luck and say a prayer to Hados, Korena and Lilith for me!
So, I’ve been working on the next book while I wait to hear back from literary agencies to help publish L&L. Here’s a sneak peek at what you can expect in my new story: Supernaturalis Mortem!
My sickness had finally caught up with me. As I crawled to the shrine of my goddess at the junction of the three roads, my lifeblood flows out through my fingers and onto the gravel. The great goddess, my goddess, Hecate had kept her promise; she’d kept me safe in the shadows all these years. And for that, I’d eternally be in her debt, should she ever need my services in the next life.
For sixteen years Hecate has protected me and my killings. For sixteen years have I wandered the world and killed indiscriminately. And for sixteen years, all Hecate has required of me for her protection is that whenever I come across anything dealing with the worship of her that I stop and offer a sacrifice of flesh, blood and bone. I think that the body of my final victim and myself, at the same altar that our covenant was first forged, would be proof enough that I have not ever faltered in my worship.
As I raise my bloody hand to the statuette of Hecate in the shrine, my dying eyes play the same trick on me they did all those years ago. For once my hand touched the image of my goddess, I could have sworn it looked upon me with a look both pleased and saddened. “O, goddess of the hidden,” I say. “My soul is yours, a-a-a-a final pay…ment for your protection.”
Well, after a few months (mostly spent not doing what I’m supposed to be doing) I’ve finally finished going through Lucifer & Lilith and have it ready to send to publishers! So over the next few weeks I’m going to try and shop around until I find someone who loves the story as much as I do and is willing to publish it for the world to fall in love with it. So wish me luck! And then once I’ve found someone to publish L&L, I’m going to start writing out the plot for my next story, which I’ll hopefully start writing by the summer (but I make no promises as work dramatically picks up then). Hopefully, Lucifer & Lilith will be on shelves sooner than we can hope.
One of the many things that I took as influences when writing The Kanta Chronicles was TV. As I’ve previously said, my influences are a wide array of trivia, entertainment, history, religions, mythologies and the works of other writers. So it should come as no surprise that a crucial aspect of the story came from my obsession with TV. In particular, the concept of Reckonings came from the eighth episode of season three of the fantastic BBC show Merlin called The Eye of the Phoenix. And if anyone has ever watched this episode, they will know how blatantly I took the concept and rituals of Reckonings from it. But one thing that I didn’t take from the episode is how the Reckonings of the three male Kantas seen in the book were instrumental in how their time as King was perceived. Leo, Pan’s father, was a king respected and renowned for his ability to speak to people from different points of view; something he honed during his year spent in silence studying people in three different countries across Bolfodier. Pan, whose rule (while not completely shown in the book) was one remembered by his subjects and contemporaries for his great base of knowledge in nearly all aspects of his world; a knowledge base that was greatly aggregated by his finding and hoarding of the Valin Twins’ library and the books contained within. And Shade, whose rule is highly influenced by righting the wrongs committed in the past and shedding new light on taboo topics, had a Reckoning that forced him to confront wrongs committed nearly thirteen thousand years ago and attempt to begin the (inter)national healing needed.
And these connections are not on accident (retroactively introduced, but no accident). The Reckoning of any Brarian prince is meant to be seen as a forging of the prince into the king he will become. In the exposition about the Reckoning dumped at the start of the third part of the book, it states that failing in accomplishing the goal of the quest chosen is not an option. And that’s because should a prince fail, it means he will fail the kingdom; failing to complete one’s Reckoning shows that you are not (for lack of a better term) man enough to rule, and that immaturity proves that the prince that fails is unworthy of the crown.
Ok, so recently (as in my recent posts, not time because we all know how lacking I am in being punctual online) I’ve mentioned some of the tropes/connections between my two latest stories (The Kanta Chronicles and Lucifer & Lilith). And today, I’d like to give you guys some more of these so that you can always recognize my writings in the future. And while all of these aspects won’t always be in the story I’m writing, there’s sure to be a few.
Now, I’ve already mentioned how I use twins, and how the elder is usually the female and she’s more powerful than her younger brother. I’ve also said how I’ll usually take a name of a character in one story and give it to another; this is something that a lot of authors do I find and I’m just another practitioner of this hallowed tradition. Another thing that I constantly find myself doing is taking parts of stories from other authors and using them in my own while putting my own spin on it. This is what I did with Cadel Thymab in The Kanta Chronicles (for the full story there, there’s a early post about it). Another hallowed tradition that I fully subject my writing to is making allusions to other works that influence me. I do this usually a bit more stealthily in my humble opinion, than my previous point, but for more details, check out some of my earliest post here.
Finally, I’d like to discuss the Language of Darkness. It’s something that is present in both L&L and The Kanta Chronicles and hope to find a way to incorporate it into all my future works. In essence, the Language or Tongue of Darkness is a string of gurgling and grunting that only those born with the ability to can understand. And for someone to be able to understand it, and not be born to a parent/parents that can, is extremely rare. In The Kanta Chronicles, only Ladies of the Night can understand it; and in L&L only the angels of the Pit and their offspring can understand it. The exception to this is Lilith who when she first met Tartarus ate a special but rare crystal that allowed her to do so. And while Kara can understand thanks to the mental connection she shares with both her parents, her twin brother Shien cannot. And since that ties so nicely into my first point, I think that is where I will stop.
Surprisingly, I was able to finish writing Lucifer & Lilith ahead of the latest schedule I had made for myself the last time I posted here a few weeks ago, so YAY to me! So, in order to boost interest in that story, I’m going to be releasing some background info on minor points brought up in that story for the next couple of updates. Hopefully, there won’t be weeks/months between those posts. I’m going to be taking the time between now and the new year to go through that story to ensure it’s ready to send to publishers so that I can hopefully publish it on a wider scale than what The Kanta Chronicles got.
Towards the end of L&L I introduced the events known as the Raping of the Fallen. And in the penultimate chapter, I mention a Mixling by the name of Cadel, daughter of Sif and angel of the Pit Disruptar. All of these characters are minor (Cadel and her father Disruptar are first introduced in this chapter), but even minor characters can be intriguing and have an interesting backstory. While Cadel, is an obvious homage to the character of the same name in The Kanta Chronicles (one of many connections the stories share), it’s her parents’ stories that I’d like to explore.
Sif is named after the Norse goddess. In all honesty, I don’t know much about her mythology outside the fact that she’s Thor’s wife; I think she might be a Valkyrie but I’m not sure. In regards to L&L, Sif is one of the fallen angels from Lucifer’s rebellion; she’s a warrior, but not part of the boarder garrisons. And all though she’s only been in the Pit a short time before the first Raping took place, in that time she had developed an attraction to an angel of the Pit named Nirnasha. Before the Raping, Sif had even hinted that she’d be open to a relationship with him. But, when during the first Raping, Nirnasha was raping Sif’s friend Selene, Sif was devastated.
Even worse was when she was attacked during the second Raping by an angel of the Pit she absolutely hated: Disruptar. For his part, Disruptar hates Sif too, and his raping of her was meant to show this. But despite the fact that they hate each other, Sif and Disruptar are actually quite similar. Both are warriors, unbound to any sect or garrison, both vie for their daughter’s allegiance over the other (using similar tactics of lies, manipulation and threats). But in all honesty, these similarities shouldn’t come as a surprise since Heolstor used bits of the remnants that God used when creating Sif to create Disruptar.
And if anyone wishes to get a more in-depth celestial/chthonic flow chart/family tree I’d be happy to give it to them.
Well, look at this: I’m actually ahead of the schedule I set for myself and finished Lucifer & Lilith before Christmas. But don’t get too excited, this just means I have more time to procrastinate-I mean plan out my work, which by the looks of things will be my old school project Supernaturalis Mortem. Hope everyone is ready for magic, curses, Romans and Slasher movie tropes.
Ok, I’m sorry guys for not being here to tell you about everything going on in the world of Bolfodier, but in all honest I haven’t been focused on it lately. I’ve actually been trying to write the end to my other story Lucifer & Lilith: Love Leads To Sin. And I’m just about done; I just posted two of the final chapters over on FictionPress, so go check them out and let me know what you think. But be warned, Ch. 42 is really heavy and the reason I’ve taken so long in posting anything, but I hope you enjoy it anyway. And I’d also like to official announce that I’m going to try and properly publish L&L, so wish me luck. Also, I’m going to be posting some more L&L content on here for the next little bit, filling in some gaps that the story doesn’t really have time for, but I hope readers find interesting nonetheless.
Hey everyone, just in case you missed it, I thought I’d let you all know that I started a Patreon page for myself to help give me the time to write more, so that I can potentially publish more. There’s lots of cool perks to becoming a Patron so don’t be afraid to donate. Just so you’re all aware though, I’ve marked on Patreon that my works include adult content; but this is merely a warning to anyone thinking that my works don’t contain sex and/or violence when they do. If you’ve read my works on FictionPress or The Kanta Chronicles novel, you’ll know that while there is sex and violence, it’s tame when compared to the works of others.
After much internal debate, and the knowledge that the book’s been released for over a year, I’ve decided to remove the three stories that became The Kanta Chronicles from the writing platform Fictionpress. Fictionpress is where I first started putting my writing out into the world, and where I was given the first incentive to actually publish my works. To everyone who took the time to read these stories and found any interest in them, thank you; I hope the changes I made in the book didn’t leave you feeling cheated. I still intend to use Fictionpress to test the waters with my new stories, and I will try to post chapters in a more regular interval. But in all honesty, I’ll post when I can force myself to sit down and write for more than five minutes.